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seafoam1

Go woke, go broke isn't a slogan — it's becoming Hollywood’s reality. They are in massive debt.

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:dunno:

https://www.foxnews.com/opinion/rob-schneider-go-woke-go-broke-isnt-slogan-its-becoming-hollywoods-reality

Hollywood used to be about what brought us together. Now, it’s about what divides us. They’ve traded the Dream Factory for an Indoctrination Lab

Towards the end of the fifth season of "Stranger Things," the character of Will Byers gathers his family and friends together. He has good reason. They need to prepare for the final battle against Vecna, a terrifying, skinless monster with a penchant for mass murder and apocalyptic terrorism. But instead, Will comes out as gay.

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11 minutes ago, League Champion said:

😂

This is very @MDC and @thegeneral like. 😆

This is perhaps the most anticlimactic moment in television since Pam woke up to reveal that the entire tenth season of "Dallas" had been a dream. In laborious and earnest tones, Will takes four minutes to tell everyone that he just isn’t into girls. 

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2 hours ago, League Champion said:

😂

Imagine if at the end of Casablanca Bogart said, "Louis, I think this is the beginning of a beautiful, gay relationship." 😆

mdc would have felt totally included. 

  • Haha 1

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4 hours ago, MDC said:

⬆️ These 2 seem gay for me. 🌈 😂 

mdpee in his dreams....😆

All he has is the internet to help him pretend people actually want to be around him in life. 

  • Like 1

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The "coming out" episode of "Stranger Things" is currently the lowest-rated episode on IMDb. The recent live-action remake of "Snow White," with its emphasis on diversity rather than murderous stepmothers and subterranean dwarves, reportedly lost over $115 million for Disney. 

 

The all-female leads of "The Marvels" might have made a few executives feel good about themselves, until it turned out to be the franchise’s biggest bomb of all time. And after poor test screenings, HBO’s big-budget wokefest "Batgirl" was shelved altogether.

So, while executives pat themselves on the back for their "virtue," their studios are plunged into debt. According to public filings, as of late 2025, Disney’s debt is roughly $35.3 billion and Warner Bros. Discovery’s debt stands at approximately $33.5 billion. Cinema attendance continues to decline, with annual box office receipts in North America struggling to reach $9 billion. In a world where production and marketing costs have skyrocketed, these numbers represent a dying industry.

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